VinylesMania
After its disappearance and return, vinyl is unquestionably once again part of our relationship with music. VinylesMania sets out to reveal what defines our rediscovered attachment to vinyl records, and to tour the globe in images of the women and men who bring them to life, from manufacturers to collectors by way of jacket designers and record shops. VinylesMania also relates legends and stories around this almost magic medium, including some fine, emotional moments. VinylesMania is dedicated to Vaughan Oliver (1957-2019), designer of record sleeves and other visuals whose textured, mysterious approach, at the same time typographical and iconic, remains one of the most enchanting styles of the 20th century.
VinylesMania exhibition - October 1, 2020 to August 29, 2021
Les vinyles en majesté
Durant le premier semestre de 2019, les vinyles ont engrangé 224,1 millions de dollars sur le marché américain pour 8,6 millions d’exemplaires vendus, contre un peu moins de 250 millions de dollars pour les CD. Le rock représente plus de 40 % des ventes, et met en avant les grands classiques ; le rap est présent à hauteur de 6,6 % et le R’n’B obtient 7,9 % des ventes. En France, 3,5 millions de vinyles ont été vendus en 2018.
Secrets de fabrication
VinylesMania développe les similitudes entre vinyle et imprimerie, joue sur les accords entre musique et graphisme et ouvre les portes de deux usine/atelier de pressage et un studio de recherche :
- la Record Industry de Harlem (Pays-Bas), 50 000 vinyles/jour, où le photographe britannique Alastair Philip Wiper a capturé d’étonnantes images de fabrication,
- la Manufacture des vinyles, (Haute-Savoie), spécialisée dans la conception de 33 tours pour les labels musicaux indépendants,
- Studio Magma (Lyon), qui a amorcé depuis 2015 un travail de recherche autour du vinyle et propose des ateliers avec le public au cours de l’exposition.
Histoires de vinyles
VinylesMania fait remonter le temps avec les légendes sonores et graphiques liées aux vinyles : le logo La voix de son maître ; la bataille entre le disco et le rock au cours de la Disco Demolition Night (1979) ; la naissance des premières « vraies » pochettes créées par Alex Steinweiss pour Columbia Records en 1939 ; les créations de Paula Sher, l’une des premières femmes designer de pochettes. Autant de prétextes pour faire plonger le visiteur dans la collection de vinyles du légendaire DJ Frankie Knuckles, ou dans les tréfonds du Paradise Garage qui abrita le courant musical du même nom et, très proche de nous, dans les modelages métaphoriques du graffeur lyonnais Kesa.
Portraits of diggers
They search everywhere, looking for nuggets. These passionate discoverers of lost discs show visitors their pieces: Christian Biral ("in high school, I would always carry a bag of records in my hands"); Fabien Vandamme with a recording from 1860 (17 years before the invention of the phonograph), made audible in 2008. Lyon Municipal Library holds a major collection of records of noise. An emotional touch in the archives of photographer Zoë Timmers who put together in 2013 a filmed portrait of her father, seriously ill, surrounded by his discs. The « vinyl mania » will perhaps be heightened by the shortage resulting from the recent fire at the Californian factory which had a monopoly on 80% of the primary material needed to produce black discs.
33 revolutions… of the earth
Africa is being honoured this year with the Africa 2020 project at the Institut Français. VinylesMania is paying tribute to the musical energy of the African continent, thanks to Sofa Records, a Lyon record-shop specializing in world music, and to the journalist Rachel Clara Reed who has taken photographs of the world of Jimmy, the owner of an unclassifiable record-stall right in the middle of the Kenyatta market in Nairobi. VinylesMania also takes us to a country where vinyl does not exist, South Korea, where it is almost totally absent from the shops and from the music scene. We travel on to Jerusalem where Emahoy Teague-Maryam, a 96-year-old Ethiopian pianist and composer, lives as a nun; we see her in a short appreciation beautifully filmed by Omar Gefen in 2015.
Surprising sleeves, with Lyon BD Festival
The French Ministry of Culture has declared 2020 "the year of the strip cartoon". A further incentive to explore the links between vinyl records and strip cartoons, often good bedfellows. In a third partnership between Lyon BD Festival and VinylesMania fifteen cartoon artists have been invited to design the record covers of their dreams, which will be displayed at the Fnac Lyon/Bellecour.